Sentence examples for ensemble around from inspiring English sources

The first season spun its ensemble around Piper Chapman, a white, well-to-do outlier who went to Litchfield Prison for smuggling drug money.

Beckinsale's radiant, frightening turn is one of complete command; the film works because the ensemble around her rotates with the smoothness of planets at an upscale observatory.

But make no mistake, this is all about Cumming, and the great ensemble around him, with the ghost of Bob Fosse in the choreography and Mendes' by turns sly and ferocious direction.

The life of a sportsman is short, and you never got a real education!" There's a solid ensemble around Josh, including his nerdy friend Tom Thomas Wardd), his ex-girlfriend Claire (Caitlin Stasey), his father and his father's Thai girlfriend Mae, and Geoffrey Wade Briggss), the clingy pretty boy Josh hooks up with.

Stage geometry, with which he can be brilliant when it comes to moving a large ensemble around, counts for little in any of his pas de deux: you could move the action a few yards to right or left and it would make little difference.

Textures in The Desert Music coagulated, so that the sinewy lines of Reich's writing became indistinguishable, and their meticulously varied dynamics and colours were blurred, while in La Passione, voice and solo violin were too often overwhelmed by the ensemble around them, so that Campana's words just vanished.

(Woolfe) ★ So Percussion (Monday) One of the most colorful ensembles around, and lately one of the engines that drives New York's new music world, So Percussion and guest artists (including Matmos, the electronica group) pay tribute to John Cage and his legacy in a program called "We Are All Going in Different Directions".

There were some imprecisions in playing and ensemble this time around, too.

The end, a dancer's voice divulged, was "time to have fun!" The ensemble milled around, as if acting naturally, perhaps in a rehearsal, then periodically exploded in affected, unnatural dancing.

On Thursday night at Merkin Concert Hall, the Tribeca New Music Festival presented two fascinating chamber ensembles built around the electric guitar: a relative newcomer to the concert-music sphere, still reluctant to curb its exuberance or disguise its roots in popular idioms.

Laura Sherlock used to be a professional musician, playing the sackbut, a form of early trombone, in ensembles around the world.