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In just a few months as the architecture critic of The New York Times, my friend Kimmelman has introduced an enlightening ethos of civic purpose into a genre that can be, at its worst, precious and narrow.
Similar(55)
In their praise of individual conscience they indulge in a peculiarly conservative ethos: enlightened (or compassionate) conservatism.
Zumthor represented a changed ethos.
Or enlightening.
The effect is enlightening.
The figures are enlightening.
Humane and enlightening.
The responses were enlightening.
Baton Rouge was enlightening.
Cancer was enlightening.
That's enlightening.
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