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NOWHERE in "Eyes Wide Shut" does Stanley Kubrick explain what the enigmatic title means.
David Esbjornson directs a cast led by Jane Alexander as the enigmatic title figure.
"Autobiography" would be the wrong word, as its enigmatic title, The Patagonian Hare, suggests.
Conceived of as a pair, the prints go by the enigmatic title "Noon".
The enigmatic title is just the brand of fibreglass it was painted on.
(Take another look at the coyly, cleverly enigmatic title, borrowed from the famous headline in The Harvard Crimson).
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The case for the return of "pungent, enigmatic titles".
L'Wren Scott's collections sometimes have enigmatic titles, none more so than her latest: "Yorkshire Pudding".
Mostly, though, it publishes long essays with enigmatic titles, each one prefaced by a list enumerating matters to be "discussed".
Shows with enigmatic titles like "Not So Subtle Subtitle" (Casey Kaplan) and "Crop Rotation" (Marianne Boesky) reflect the obscurely personal tastes of their curators.
Sections with enigmatic titles like "Innuendo," "Blushing," "Charms" and "Stand Ins" add to the idea, but in ways more often mystifying than revealing.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com