Sentence examples for engine of the plot from inspiring English sources

Despite no-nonsense direction from Davis McCallum and ardent, unfussy performances, the engine of the plot, with its synthetic deferrals and revelations, could use a tune-up.

To be fair to Richard Curtis, who wrote and directed "About Time," there is no delay in starting the engine of the plot.

But since we are granted only the barest glimpses of conditions elsewhere in the galaxy, the fate of humanity itself -- which is the putative engine of the plot -- rouses little sympathy.

In "La Promesse," it's the fifteen-year-old Igor Olivier Gourmett), and the emotional engine of the plot is Igor's dawning realization that his father's treatment of the immigrants who work and live illegally in his tenement is unconscionable.

It is implied and later said outright that the intensity of her emotional response is that of a sister, watching her brother commit suicide before her eyes; but the engine of the plot, the energy it needs to propel itself forward, relies not just on all the other characters finding Edison as appalling as Pandora does, but on us, as readers, despising him with the same visceral horror.

"Preventing women from making their own decisions about how they will give birth" is the engine of the plot of Margaret Atwood's 1985 novel, "The Handmaid's Tale".

Courtship, marriage and adultery have been the engine of the novel's plot, significantly often.

Dennis is the producer of Barbara and Jimm), the smash-hit sitcom that forms the engine of the novel's plot, and he has been asked to defend his work against sniffy academic Vernon Whitfield, whose chief objection is that the show is enormously popular.

If the underlying theme of all Titanic dramatizations has been class, the engine driving the plot has nearly always been romance.

Another of the book's narratives involves a feminist retelling of the Epic of Gilgamesh, reframing the whore who seduces Enkidu as the engine of plot, and Inanna's descent into the underworld as a journey beginning with loss and ending with an acknowledgement of grief.

The real engine of the book is not plot, though, but language: McGuane's sentences are like no one else's, crisp and spare, yet somehow baroque, and he perpetually balances the picaresque against the sublime.