Sentence examples for engaging tenor from inspiring English sources

(Chinen) Ken Peplowski Quartet (Saturday) Ken Peplowski, a virtuoso clarinetist and an engaging tenor saxophonist with a gift for buoyant swing, leads a group featuring Don Friedman on piano, along with Phil Palombi on bass and Shinnosuke Takahashi on drums.

He sang in a bright, engaging tenor, recording about 20 albums, and with his crowd-pleasing manner, he performed not only in large performance halls with full orchestras but also in cabarets and at weddings and other private functions.

Mr. Cleale, a sweet-voiced tenor of engaging emotional transparency, gives off a goofy gallantry that does indeed suggest another, more mannered era.

Returning are the counter-tenor Lawrence Zazzo, an engaging, mellow sounding Caesar, and Varduhi Abrahamyan, who sings Cornelia, the widow of Caesar's rival Pompey, in a lean yet expressive mezzo-soprano but who is called upon to bring in a couple of palm trees on a pushcart for one expressive aria.

Ali Catterall Mexican-French tenor Villazón is an engaged and engaging guide to the life of Giuseppe Verdi, whose works, Villazón insists "connect directly with the human soul; its joy, its suffering, its force".

In Lindsay Posner's straightforward enough production, heavily reliant on video imagery from Jeremy Herbert, the work's British premiere at the Almeida Opera Festival centres around an engaging if vocally stentorian performance from tenor John Grasam-Hall aSchwittersrs, with the reliable soprano Vivien Tierney as Mother and a remarkably assured young treble, William Sheldon, as Michael.

Constantin Nica, a Romanian tenor, performs Radames, projecting an engaging stage presence and displaying a comfortable relationship with the high notes in his demanding role.

Here Mr. Huang brought out new shadings in the engaging, eventful work, allying the pipa with the tenor and baritone saxophones to striking effect.

Yet this engaging concert, featuring the distinguished pianist Nelson Freire and the splendid tenor Lawrence Brownlee and conducted by the dynamic Louis Langrée, who is celebrating his 10th season as the festival's music director, was a demonstration of how much Mostly Mozart has been revitalized in recent years.

The tenor Robert Murray invests Essex's "lute songs" with engaging lyricism but also projects the Earl's hot-tempered nature, which is apparent at once when, jealous of a tournament victory by his rival Mountjoy (Moritz Gogg), he picks a fight with him.

Though his voice may not be ideally Italianate, the young Australian tenor gained confidence as the performance proceeded, cutting an authentically engaging figure as the ingénu lost amidst the giddy whirl of the mid-19th century Parisian demimonde – though these days, in Eyre's 21-year-old staging, that particular milieu looks rather less tantalising than one might hope for.