Sentence examples for engaging medium from inspiring English sources

Exact(6)

Apple doesn't have a social platform per se, but some may perceive them as a social enabler: The App marketplace is a kind of social landscape, music is a socially engaging medium, as are movies — these are culturally significant and drive social engagements.

Granted video is a more engaging medium than photo, but that still doesn't explain why, in light of meager exits, the amount of money pouring into the space within the past 15 years has not dropped off?

Twentieth century children needed the more engaging medium of film to hold their ever more diverted attention, but the same messages were still being transmitted about how to make decisions -- be kind to little people, don't kill animals, don't lie, don't be mean to your step-siblings, don't fall for a wolf's sweet talking, etc.

Switch to French when watching - whether it is dubbed or subtitled, you're still learning using an engaging medium.

Because this is a less engaging medium, sleep experts generally give the thumbs up to using it to help you drift off to sleep.

Beyond this, television is an engaging medium, which means that we may be overly stimulated when watching it, which can in turn make it harder to fall asleep.[5].

Similar(54)

But someone who seems so superficially involved with his artistic medium can't expect to engage so immense a tragedy in any credible manner.

With the coding of the levels of engagement simplified to only discriminating between low (0 20% of the students engaged), medium, or high (≥80% of the student engaged), some observers, particularly those who had some experience with observing levels of student engagement, could easily code engagement along with the other two categories, and there was reasonable consistency between observers.

Hine was originally drawn to photography as a way of promoting social and political change, only engaging the medium as an artist in his later years.

If you are engaging from medium range put the shotgun away.

Quinlan, Oppenheim, and Pryde, all of whom prefer various forms of abstraction, engage the medium at its most sensuous and evocative, usually with work that emphasizes old-school darkroom processes.

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