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A widely publicized private interior was Kiesler's "Endless House" (shown in a concrete model), designed in 1959 but never built.
Though never built, his Endless House, which consists of interpenetrating biomorphic volumes, has a permanent niche in the dreamlife of modern architecture.
In the nineteen-fifties, the architect Frederick Kiesler did a series of designs for what he called the Endless House, an amorphous structure that looked strikingly like the digital blobs.
In architecture, Frank Lloyd Wright's Guggenheim Museum, Eero Saarinen's Trans World Airlines Terminal at Kennedy Airport, Morris Lapidus's Fontainebleau Hotel in Miami Beach and Frederick J. Kiesler's "Endless House" are based on biomorphic principles.
To the larger public, it rested chiefly on the bronze model of "The Endless House," which has been exhibited more or less continuously at the Museum of Modern Art since 1958.
Or, as in the case of Kiaer's latest work, Frederick Kiesler's dream of an "endless house", made from malleable concrete and plastic, with flowing light-bathed surfaces, tinted windows and bathing pools.
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And, unlike many parts of the coast I've visited so far, on Walney you don't have to battle past endless shoreline houses, shops and other sundry seaside trappings to get a view of the blue horizon.
In the coming weeks, endless student housing companies will be plastering your campuses, social media pages and college notice boards with images of their glossy abodes in an attempt to coerce you into moving away from the safe haven university halls.
My Art screened in the Cinema nel Giardino section, a sidebar of cinematic gems that provided endless inspiration, housed inside a cool new venue that looks like a giant red box.
Known for his hypnotic marathon sets at the festival's hotspots like the Robot Heart art car, he's established a great deal of his career providing near-endless tech-house sets for thousands of reverlers all the way into the sunrise hours.
And, to Mr. Turner's endless gratitude, the house has three bathrooms.
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