Sentence examples for end of vol from inspiring English sources

Channelling De Sade and Baudelaire via the sex-quest cinema of the 1970s (the spatial/temporal setting is uncertain, but early scenes evoke the Two Ronnies jokes about "Have-It-Awayday" British Rail tickets), Lars and his unreal girls pick away at the psycho-societal scab of la petite mort, with the loss of Joe's orgasmic power at the end of Vol I leading to violence, misery and melodrama.

There is a point towards the end of Nymphomaniac: Vol. II where Joe is on her way not to accepting her sexual addiction but to being the one in a million people who actually overcomes it when she discovers the soul tree that her father (Christian Slater) had originally told her about.

(End of Creation, 1765; Edwards 1957–, vol. 8, 447) It follows that God must diffuse his own fullness, i. e., God must create.

The four "parts" are thus "one thing, in a variety of views and relations" (End of Creation, 1765; Edwards 1957–, vol. 8, 527).

As the only true substance and only true cause, God is the "head" of the system of beings, its "chief part," an absolute sovereign whose power and perfection are so great that "all other beings are as nothing to him, and all other excellency…as nothing and less than nothing,…in comparison of his" (End of Creation, 1765; Edwards 1957–, vol. 8, 451).

It follows that God's rectitude and holiness "chiefly consists in a respect or regard to himself, infinitely above his regard to all other beings" and that, as a consequence, his works must be "so wrought as to show this supreme respect to himself" (End of Creation, 1765; Edwards 1957–, vol. 8, 422).

He said the clock was stopped, then started again, near the end of the No. 1 Lady Vols' 59-58 victory against the No. 5 Scarlet Knights.

But of course, if you add those loose ends to the legions of yakuza dispatched in a few minutes of "Vol. 1," the Bride surely ranks as one of the most prolific onscreen practitioners of justifiable homicide in recent memory.

Touring in support of Vol. 3: (The Subliminal Verses) continued through 2004 and up to the end of 2005 before Slipknot went on hiatus for the second time.

He also collaborated with the teen star Frankie Paul for Showdown Vol 2. By the end of the 1980s, Black Roots had closed down and Minott's influence was beginning to fade.

Last year, after the release of "Vol. 3 . . .