Sentence examples for end of scene from inspiring English sources
Swathed in shadows and standing next to what appears to be an open grave, Mr. Urie delivers the "too too solid flesh" soliloquy (which usually comes toward the end of Scene II) as a prologue.
I was afraid of Deli's emotional outburst at the end of scene two but when we rehearsed it, I was in a real bad mood and didn't care what anyone thought so just did it.
Mr. Adès spoke about the dangers of embarking on "The Tempest" for our new book of conversations, "Full of Noises" (Farrar, Straus and Giroux): "I could imagine all the composers who have thought about an opera on 'The Tempest' sitting down to read the thing, and by the end of Scene 2 they're in despair because it is so apparently formless.
At the end of Scene 1, when Stanley Kowalski implies that he knows Blanche has been married, Blanche, hearing in her mind the dance music that was played the night her husband committed suicide, answers him: "The boy -- the boy died.
In "cut," the changing meaning of the word recounts the event in miniature: the shortcuts taken by the spectators hurrying to watch or join, the cutting off of James's body parts and the cut away that marks the "end of scene".
This is an ensemble-mosaic picture, showing scenes from bourgeois Swedish life, in the structural manner of Altman's Short Cuts, but probably closer to European models, with the feel of Thomas Vinterberg's Festen or a diluted Ulrich Seidl; it adopts the alienating end-of-scene "blackout" punctuation from Haneke's Code Unknown.
New York Blood dir Nick Oddo This one may not have quite the "depth" or "scope" or "professional editing" of N.Y.H.C., but what it lacks in all of these qualities it more than makes up for in heart and end-of-scene transitions that simulate a camera taking a B&W photograph.
And at the end of scenes, as the lights slowly dim and a solo trumpet or saxophone plays plaintively in the distance, "Simpatico" seems more like a reverie about film noir than a stage version of the real thing.
Yet by the end of "Scenes From a Mall," one of Paul Mazursky's madder and more reckless comedies, these two remarkable acting personalities appear to be a perfect match, made in Southern California if not in heaven.
His mind was a feverish montage of the potential consequences of losing Drummond, including several scenarios in which one of the "junior varsity" players climbed to the attic and, on orders from above, drew a gun--end of scene.
