The word "enamelled" is correct and usable in written English
It is usually used to describe a thin coating of vitreous glass-like material applied to the surface of an object to give it a glossy, colorful finish. For example, "The actor arrived at the party wearing a white tuxedo with an enamelled gold pin on the lapel."
There is a suit of armour with enamelled metal fittings ascribed to him, as well as enamelled metal fittings decorating sliding doors and lintels in the Katsura Palace, Kyōto.
Caked in earth were 500 gold bracelets, rings and necklaces set with precious stones; ancient cameos and intaglios; earrings dangling with bunches of amethyst grapes; long, dainty chains with links of enamelled daisies or roses; and fashionable brooches including an engaging enamelled lizard set with Colombian emeralds (pictured).The workmen had stumbled on the stock of a 17th-century goldsmith.
"From Roman penknives to Canalettos, from enamelled reliquaries to model boats, we will be looking for connections, testing history, unearthing startling facts and putting real experts on the spot.
Never has warming a plate (and you need a full, easy-access dinner plate, not slate, enamelled tin or a wide shallow bowl), been more important.
Three of these huge works, as good as anything he has ever done, are on show, together with three of his sculptures, in a special room at the Royal Academy's summer show in London (May 29th-August 7th)*.People who have not paid Mr Stella much attention since his dark canvases with their enamelled pinstripe made him an overnight sensation, in the mists of 1959-60, will be taken aback.
Writing about the "Throne of the Mughal", a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an "imaginary Asian".
(The Fabergé seal in which a plump, green nephrite frog with diamond eyes straddles a graceful pink enamelled column is his; Wartski also made the gold wedding band that Prince William slid onto his bride's finger last month).
An extravagant basin is enamelled on the interior with swimming fish.The self-professed aim of the exhibition and its scholarly catalogue is to examine cloisonné production in China, from its emergence in the late Yuan dynasty (1279-1368) thethendnd of the Qing dynasty (1644-1911).
Its enamelled decoration includes a double-headed eagle, the symbol of the tsars.Among the more peaceable objects on show are trophies given to the tsar by foreign ambassadors, notably some outstanding English Jacobean silverware.
The craftsmanship is remarkable and well worth closer study through the magnifying glasses provided.The show includes oil portraits from this period featuring elegant women wearing gold enamelled chains, singly or in tiers looped across their bodices.
