Importantly, our parametric fMRI approach enabled us to take into account the fact that emotional blends are commonly evoked by music (Barrett et al. 2010), unlike previous approaches using predefined (and often binary) categorizations that do not permit several emotions to be present in one stimulus.
As a woman, Brittain was arguably the first to blend emotional resonance with intellectual clarity.
Bronstein specializes in moments of embarrassment and minor emotional bruises which blend pain with gentle, witty humor.
Moore prefers her first-person experiences alchemized into violin solos: compositions that blend emotional eloquence with abstraction, and thus come closer to illumining a psychic interior.
As the longtime editor of lit mag One Story, Tinti knows how to blend emotional connections with engrossing plots.
Plot and character ultimately don't matter much in a film that's all about building and sustaining a mood in which visceral and emotional rhythms are blended into a high-gloss thrill ride (Stephen Holden).
But then he learned that the director was John Tiffany, who blended emotional intensity and steadfast friendships in the Iraq war play "Black Watch," and that the book writer was the Irish playwright Enda Walsh, known for lyrical prose in plays like "Penelope".
Shreve's usual territory is turn-of-the-19th-century New England, but her penchant for blending emotional analysis with details of housewifery easily transfers to the simple stone-built farmhouse where Ted and Clare fleetingly enjoy the love of their lives.
Plot and character ultimately don't matter much in a movie that's all about building and sustaining a mood in which visceral and emotional rhythms are blended into a high-gloss thrill ride in which every curve and dip is calculated.
For each model and type of facial expression (fearful or angry), the emotional face was blended with the neutral face to produce a continuum comprising five exemplars of increasing emotional intensity: i.e. neutral prototype (0%), three morphed expressions (25%, 50 % and 75) and the emotional prototype (100%); see Fig. 1.
