Sentence examples similar to emergence notes from inspiring English sources

Bedau proceeds to defend one version of weak emergence (noting that there are other versions), which is: "A nominally emergent property of a locally reducible system is called weakly emergent if it is derivable from all of the micro facts of this system, but only by simulation".

Lynn Zelevansky, who helped curate a 1998 traveling show that fueled Kusama's re-emergence, notes that Kusama's inclination was always "to adapt to what life offered".

Wald's analysis of disease emergence also notes its simultaneous evolution with social, religious, and political changes.

Anesthesia time (induction to emergence) was noted.

The only other carbapenem study reporting emergence of resistance noted this rate to be 33.3% in the imipenem and 56.5% in the meropenem groups [ 56].

Lack of aerenchyma adjacent to lateral root emergence was also noted by other authors (Smirnoff and Crawford 1983; Justin and Armstrong 1991; Enstone and Peterson 2005).

Only 3 of these 9 studies reported CDI emergence, which was noted in 6 of 334 (1.8%, range 0.0%-5.9 0.0%-5.9em-treated patients and 2 of 335 (0.6%, range 0.0%-1.1%) comparator-group patients [ 45, 50, 52].

Frank notes the emergence of a new back-to-basics movement and a number of best-selling books that have inspired it, beginning with Duane Elgin's "Voluntary Simplicity," in 1981.

The paper notes the emergence of three investment vehicles Royalty Pharma, DRI Capital and Cowen Healthcare that invest in the royalties of approved drugs, thereby providing capital to pharmaceutical companies in exchange for a return that has similarities to a diversified debt portfolio.In this section Win some, lose some Home on the range Twenty years young Disease or cure?

(Goldstein 1999) notes that "emergence functions not much as an explanation but rather as a descriptive term pointing to the patterns, structures, or properties that are exhibited on the macro-scale".

Chambers also notes the emergence of a new generation of black British artists including Chris Ofili and Yinka Shonibare, who treat issues around race and ethnicity more playfully than their immediate forebears, arguing that their rise marked a moment when audiences had lost interest in an overtly serious approach to identity politics.