Sentence examples for embodiment in a from inspiring English sources

Tyrion is the embodiment, in a small body, of the show's prepolitical psychological range.

To clarify the critical distinction between control principles and their embodiment in a real machine or system, the following common examples of control may be helpful.

Unfortunately, nobody seems to be able to define embodiment in a way that would prevent it from also covering its trivial interpretations such as mere situatedness in complex environments.

"This requires not merely a declaration to that effect, but its embodiment in a full-blown constitution that sets out the entrenched and unalterable competences and responsibilities of the member states of the Union - the very reverse of what is contained in the anti-constitutional Lisbon treaty.

In a word, our exercising of our finite freedom has worth and efficacy only by reason of our embodiment in a natural and cultural setting that is largely not of our own making, but this is a world that we seek to appropriate through our words and deeds.

This magical thinking has already had its three strikes: its rejection by the British people at the general election, its embodiment in Jeremy Corbyn as a clearly unelectable potential Labour leader (a candidacy facilitated by Ed's legacy) and the point-blank refusal of some sections of the party to listen to what the public and Labour voters are telling us about 'welfare' spending".

Most importantly, they demonstrated that "the national will" is not one but many, and that Erdoğan is not its embodiment, even in a state of emergency.

Whether designers start with an intervention or with a method for establishing embodiment in mind, each must be designed in a way that supports the other.

That holistic impulse found its most enduring embodiment in the Wiener Werkstätte, a consortium of designers and skilled artisans founded in 1903 by the brilliant designers and Secessionists Josef Hoffmann and Koloman Moser.

This conception found full embodiment in Der Ring des Nibelungen, a cycle of four operas first performed in 1876; the only variation from Wagner's theory was that the leading motives did not always arise as vocal utterances but were often introduced by the orchestra to portray characters, emotions, or events.

Embodiment in this sense is a fundamentally brain-based phenomenon, where, "[the] function of the sensorimotor resources is to run a simulation of some aspect of the physical world, as a means of representing information or drawing inferences" (Wilson, 2002, p. 633).