The phrase "embodiment for" is grammatically correct and can be used in written English.
It is typically used when referring to something that is a representation or manifestation of a certain quality or idea. Example: The Mona Lisa is considered the embodiment for the ideal of beauty in art. In this sentence, "embodiment for" is used to indicate that the Mona Lisa is a perfect example or representation of the concept of beauty in the context of art.
This paper takes a new look at the methods of embodiment for psychotherapy supervision.
One representative mechanical embodiment for a novel double toggle switch, including mass and geometric shape of links has been included in the paper.
At the end of Fahrenheit 451, the hero finds – in a world of destroyed books – a group of people who have become the vanished books by memorising them: a perfect embodiment for the knot of mysteries presented to young Ray by Mr Electrico.
Just before he was assassinated, Malcolm X visited the American Museum of Natural History, to take another look at their stuffed aardvark — the first word in the dictionary, and an embodiment, for him, of the fascination he found in that book.
Gradually Nishida came to recognize the importance of embodiment for human interaction and communication, and introduced the notion of the expressive or historical body.
The taxonomy with four degrees of embodiment for new media follows a "weak ordering" system (Johnson-Glenberg et al., 2014a, 2014b, 2016).
Never so literally as in "Inside Out," for example, has Pixar depicted the embodiment of "for every laugh, a tear". (Sadness is even shaped like a teardrop). And perhaps never so literally by Pixar have we seen a many-voiced brain-trust rendered as a necessary engine toward growth, be it emotional or creative.
These models conduce to generate new guidelines for embodiment design for such plants.
The current guidelines for embodiment design for intralogistic systems are not sufficient to optimise such plants regarding their service conditions.
From project No.1 to 5 in Table 1, the problems are originally identified in the phase of commercialization as backward flow problems and fed back to conceptual design for No.1 and 2, process design for No.3, embodiment design for No.4, and process design for No.5.
"Rock 'n' Roll" and "Me, Myself & I" found ideal embodiments for their authors' semantic perplexity in two very different performances.
