Sentence examples for element of mood from inspiring English sources

Effective design has to have an element of mood management - a concept which inspires". Glasgow Caledonian's Saltire Centre ticks all the boxes.

In Caffarel's (Caffarel 2006) grammar of French, the term refers to the element of mood structure consisting of the three functions Subject, Finite and Predicator, which is similar to the English Mood element described above in section Mood.

She broke down their emotional components, isolated the elements of mood elevation and tested her findings against those of market researchers.

Then, to introduce the literary elements of mood and tone, I show three very different newspaper front pages from 9/12, including The New York Times.

This element of the mood structure is different from the Mood element found in descriptions of English in that it also includes the Predicator, the Subject is not an essential element, and the relative ordering of Subject and Finite is not relevant to the realization of the MOOD system.

The central element of the Mood Base is the Finite/Predicator, while the Subject plays a secondary role inasmuch as its explicit presence is not obligatory in the clause.

This was a murderous guy who probably had elements of a mood disorder and personality disorders".

The Mood element "realizes the selection of mood in the clause; and it is also the domain of agreement between Subject and Finite" ((Halliday & Matthiessen 2014): 142).

The rest of the clause is referred to as the Residue, and may contain other elements relevant to the system of MOOD – Predicator, Complement and Adjunct – although these are not part of the Mood element itself.

In other languages, however, the distinctions realized in English by means of variations in the order of elements within the Mood element may be realized differently – for example, by means of particles or in the verbal morphology of the Predicator ((Halliday & Matthiessen 2014): 142 and 170; (Teruya et al. 2007)).

There's a camp element in Mahler, with his changes of mood, sound effects (bird calls), and collage-like juxtapositions of swatches of very different kinds of music: a march worthy of Sousa; a song; an offstage fluegelhorn solo; the sugary music of the second movement, like a precursor to big bands.