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By Peter Schjeldahl "Light Prop for an Electric Stage" (1930): optimism for technical know-how.
In England the first use of electric stage lighting was in 1881 at the Savoy Theatre.
The main singer of punk rock band Subs, Kang Mao, is famed for her crazed, electric stage persona.
Ms. Kritzer has an electric stage presence and is deliciously goofy, eliciting perfectly timed laughter with a pliable face that rivals Jim Carrey's.
This is the Light Prop for an Electric Stage, a huge kinetic sculpture for the theatre composed of colour, light and movement: light as performance art.
The first experiments with electric stage lighting were at the Paris Opéra in 1846, but full systems were not installed until about 1880.
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Marisa Tomei occasionally shed her top (depending on which performance you saw) doing the dance of the seven veils in the electric staged reading of Oscar Wilde's "Salome," starring Al Pacino, but it probably wasn't necessary, since the actress had already fully conveyed the runaway sexuality of a blossoming adolescent.
The scanning of the sample through the X-ray beam was carried out by a high-precision piezo-electric stage (PI, Germany).
A manually pulled glass micropipette is inserted in the flow chamber and mounted on a piezo-electric stage (Mad City Labs, Nano H-50), allowing it to be moved relative to the optical trap with nanometer-scale precision.
But, only weeks after he'd gone electric on stage, Dylan gave up on machine noise and turned (emotionally) towards his new young family and (musically) towards the woods around his bosky house; towards the back country, or (depending on which musical dowser you follow) towards Americana, or alt-country, or "palavers with a community of ghosts" (Greil Marcus).
LPVs were measured using a Keithley 2000 voltmeter and three-dimensional electric motorized stage with a laser of 650-nm wavelength as the illumination source.
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