Sentence examples for either protagonist from inspiring English sources

Either protagonist No. 1, Jake Bechet, former boxer and retired mob muscle, or protagonist No. 2, Tommy Miller, former P.I. and son of a crooked cop, could carry this violent gangster narrative on his own.

Anton Bitel of Channel 4 awarded the film four and a half stars out of five, comparing it to the silent vampire film Nosferatu, stating that it is "lesser known (but in many ways superior)" and that the film is "a triumph of the irrational, Dreyer's eerie memento mori never allows either protagonist or viewer fully to wake up from its surreal nightmare".

Though she occasionally slides into narrative cliche, she never romanticises either her protagonist or the period in which she lives.

Vignettes conveyed information about either a protagonist's beliefs or preferences (see Table 1 for examples and Supplementary Material for full stimulus set).

For each vignette, participants were obliged to consider either the protagonist's beliefs or his or her preferences, thus allowing us to dissociate brain regions that were sensitive to differences in mental state type (belief and preference) from those sensitive to differences in mentalizing certainty (ambiguous and unambiguous).

What draws our interest isn't political or moral action but Porter's characters' inability to access either; the protagonists, like those of Porter's short fiction, are caught between solipsism and avarice — their emotional rock and a hard place — while the undertow of poverty, politics, and history threatens to pull them down and silence them forever.

Not just in the sense of protagonist, either.

The writing also masterfully builds uncertainty from the fact that the protagonist either can't (or claims he can't) remember what happened that night.

I haven't read anything either where the protagonist tries an amorous approach, gets a half-encouraged yes, but fails to get hard.

Mr. Cook, Mr. Kent, Mr. Louis and Mr. Pring each took turns as the protagonist either succored or stoned by the others.

Michael Davies, the British-born producer of "Who Wants to Be a Millionaire," thinks American politics has boxed itself in: "The great Monty Hall once said great TV has one moment where the protagonist either wins everything or loses everything.