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Usually the way we work is that either I write the basic structure of a song and we work it out from there, or Andy writes the basic structure and we do the same, and that one was an Andy song.
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I was back in America from having lived largely abroad for some 12 years, and either I wrote to him about something or he wrote to me about something and we met for lunch at Zelda and his house in West Orange.
Either I wrote, or I had a good time.
As for his politics, they were not mine, but they were not those of a benighted reactionary or contemptuous racist either (I wrote about Naipaul's world view a few years ago in Dissent magazine, where for a long time I made my literary home).
Either because I write about those companies, or write about a competitor, or don't write about a competitor.
Aside from realizing that I'm not smart enough to be either, which is why I write a newspaper column, that's the lesson I learned recently after my wife, Sue, and I went on a tour of Brookhaven National Laboratory in Upton, N.Y.
"Everything I write is either about me or is something that I connect with," she stresses.
Does the inherent prestige of saying I write for either of the Timeses make up for what I lose by not writing the same thing for almost anywhere else? Frankly, yes: just being able to list the Times in my portfolio of work is a feather in my cap.
"It was 'Either I write a novel which I finish and get published, and is authentic, or I'll kill myself,' " he said.
She told him, "I either write the book or sell the jewels.
I either write at the Brooklyn Writers Space or at my old campaign desk at home.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com