Sentence examples for effects of colouring from inspiring English sources

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Following a discussion with Blumenthal, Spence and his team at Oxford did some research to discover who is the most susceptible to the effects of colouring and found that those at the supertaster end of the spectrum rely less on their eyes.

MEASUREMENTS of the chemical effects of colour centres have previously been made on additively coloured crystals1,2 and on crystals irradiated with X-rays3,4.

The effects of colour are brilliant, but strictly limited.

Zola's verbal style mirrors the visual techniques of Impressionism in word-pictures of Paris transformed by varying effects of colour, light, and atmosphere.

Impressionism was based, in its strictest sense, on the objective recording of nature in terms of the fugitive effects of colour and light.

Whereas the Impressionist painters spontaneously recorded nature in terms of the fugitive effects of colour and light, the Neo-Impressionists applied scientific optical principles of light and colour to create strictly formalized compositions.

I also discuss the summation over colour configurations which is designed to allow the construction of parton-level event generators suitable to interfacing with a parton-shower evolution including the effects of colour-coherence.

He was keenly aware of the optical effects of colour, and he created translucent effects by applying thin glazes over these ground layers or over the opaque paint layers defining his forms.

In these works he strove to respect the external, visual aspect of a figure or landscape but found himself unable to suppress his own feelings about the subject, which found expression in emphatic contours and heightened effects of colour.

The Neo-Impressionist painter Georges Seurat had employed those theories in figurative and landscape compositions during the 1880s, but the Orphist style applied them in an abstract way, exploring the effects of colour and light when they are not bound to an object.