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Even though we had felt that we had found great transitions in the preparation and the design -- even though we had really thought about many, many lines that needed to appear in the future or the past -- we often found those ideas, when they were executed in the editing room, did not work because of the tonal jumps.
Scores were executed.
All were executed.
The rest were executed.
Then they were executed.
Opponents were executed.
Fifty were executed.
They were executed.
Thirteen people were executed.
Dozens more were executed nearby.
That year, 43 were executed.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com