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Also fascinating is the editors' essay, "Van Gogh in Search of His Own Voice," which links the artist's distaste for the prevailing style of religious oratory to the more authentic expression of his paintings, "the eloquence that wins hearts because it comes from the heart".
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With a hefty dose of skepticism and gloom-tinted glasses, Laurie Abraham, an Elle magazine editor, personal-essay veteran and connoisseur of relationship lit, seems to have had this very thought, if not the same originating spat.
Richard Leppert, the editor of "Essays on Music," bravely defends these tirades; he wishes us to believe that Adorno was attacking not authentic African-American composers such as Duke Ellington but white jazzmen like Paul Whiteman — those who appropriated the original "hot music".
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com