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One California newspaper editor used to play a game with his staff, while reading the stuff.
My editor used to say you're allowed one adjective a piece.
Every editor used to be familiar with the journalist who went days, weeks, even months, without producing anything of consequence.
If a Denver Post editor used "We're trying to get better every single week" as a banner headline, he'd be fired.
Instead it's customers and clients, two words that an editor used to be able to go through an entire career without allowing them to sully their lips.
(One editor used to describe the experience of dodging and distracting the accountants as "a little song, a little dance, a little seltzer down the pants").
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The editor uses a keypad to assemble various versions of a scene.
Once in a while he wrote brief letters to the editor using the name A. Sock, a wordplay on Punch.
Wylie Stateman, a sound editor, uses overt studio sound for generic characterization — the clicks of Nazi heels and pens, notably — more than ambience.
ROBERT BATY Oakland, Calif., Sept. 1, 2013 To the Editor: Using poison gas has been a war crime since the 1920s.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com