Mark Sinclair is deputy editor of Creative Review magazine.
Lee Gutkind, the editor of Creative Nonfiction, says he succeeded by "thinking out of the box with a worldview and marshaling the power of the people" as his journal "moved from idea to reality".
And by carefully following the three R process, writers of nonfiction will be prepared to answer the inevitable question: "How do you know?" Lee Gutkind is founder and editor of Creative Nonfiction Magazine.
"It was a bit of a game, everything was heavily copyrighted and they would get a cease-and-desist letter," says Patrick Burgoyne, editor of Creative Review, and author of Board: Surf, Skate, Snow Graphics.
'This is my Fight Club," says Todd Zuniga, the editor of American creative writing magazine Opium and the inventor of Literary Death Match, who is already confusing me with his appearance: strikingly fresh-faced, he tells me he is 35; exuding hipness, he is nonetheless wearing a slightly grotesque white jacket with Miami Vice-style rolled-up sleeves.
"That's a concrete thing that they can point to and say 'Look, this is what we did,'" says Mark Kemp, editor in chief of Creative Loafing, the Charlotte weekly.
Teressa Iezzi, the editor of the Creativity, an Advertising Age sibling that focuses on the creative process of the industry, doesn't argue.
Ciarán Burke is editor of Hiive at Creative Skillset.
R. V. Cassill, the man of letters who was a novelist, short-story writer, editor, book reviewer and teacher of creative writing, died last Monday at Rhode Island Hospital in Providence.
This PBS Arts documentary talks with Jon Cohen, co-founder of Fader, Ryan Dombal, senior editor at Pitchfork, Blake Whitman, VP of creative development from Vimeo, and Anthony Volodkin, founder of Hype Machine to see how the 90s model of big, mass drivers of popular culture like MTV, radio, and megalith record labels has given way to a much more democratized industry.
Eleanor Dallaway is editor of Infosecurity magazine The Creative Data hub is funded by Accenture.
