Sentence examples similar to eclectic uses from inspiring English sources

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During the 1960s and '70s, Herman became stylistically more eclectic, using material by artists as diverse as Charles Mingus and the Beatles.

His eclectic use of pagan mythology, Christian scripture, and the metaphors of eating and digestion in defense of his position are probed.

LISA KAHLDEN: The eclectic use of music in film and television has contributed a lot, I think, to the sense that it is natural to "like everything".

In the same way, John Murray's Cumbrian magic realism is less a case of weirdness for the sake of it than an eclectic use of the best means available to bring off the fictional effects he wants to achieve.

Today, however, it is more difficult to recapture the shock value either of Brecht's equation of criminal and bourgeois values, or of Weill's eclectic use of operatic parody and jazz to create a new kind of musical theatre.

Kate Kellaway 'Her work feels like she's travelling, noticing and absorbing, and is not, for the time being, studio-bound or stuck to a particular place or orthodoxy," says Tacita Dean of her chosen artist, Charlotte Moth, before praising her "eclectic use of materials" and "delicacy of touch".

Although it is a storehouse of popular medieval biblical lore and a fascinating study in the eclectic use of more than a dozen sources, the poem has until now attracted little scholarly attention.

Michael Jackson and Prince has been described as the most influential figures in contemporary R&B and popular music because of their eclectic use of elements from a variety of genres.

In North America, the Eclectics used barberry for treatment of malaria and as a general tonic [ 12].

DEREK BERMEL, like many composers born in the late 1960s, is a natural eclectic who uses classical forms and timbres as his principal medium and draws on jazz, pop and world music when he wants a particular melodic, harmonic or rhythmic twist.

Powerful though it is (and, in its eclectic, postmodernist use of allusion, very much of its time), the work of Paolozzi's last period lacks the freshness and startling originality of the sculpture and prints of the 1950s and 1960s.

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