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This paper reports results from three experiments using the Musical Ear Test (MET), a new test designed for measuring musical abilities in both musicians and non-musicians in an objective way with a relatively short duration (< 20 min).
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To help with this, ask to have a "real-ear" test which measures the match between your hearing loss and the response of your hearing aid.
Think about it: tune into any easy-listening radio station for an afternoon, get trapped in a lift or pass through an airport, and if you haven't heard either 'Lyin' Eyes' or 'Hotel California' you should get your ears tested.
Think the judges need their ears testing!
73% of the ears tested had abnormal tympanometry consistent with middle ear dysfunction.
The three-frequency (0.5, 1 and 2 kHz) PTA values of the ears tested ranged from 8to6363 dB HL.
The mean 3F PTA across all ears tested in experiment 2 was 29 dB HL (SD 10.5 dB HL).
The SUN test and pure-tone audiometry were administered in both ears, with only one exception, for a total of 201 ears tested.
The difference in numbers of pathological results (B or C2 curve present in one or two ears) tested with Chi Pearson's test was significant, χ = 10.49, p = 0.001 (Fig. 5).
85 In a series of 20 patients with infantile Pompe disease seen at Duke University, nearly 80% of the ears tested demonstrated Distortion Product Otoacoustic Emissions (DPOAE) suggestive of normal or near normal cochlear function.
When compared to those after immunization with PIEAg, the average thresholds of ABR wave III in Groups A and B decreased significantly after local injection of BMSCs into the inner ear (t-test, P < 0.05)—more significantly in Group A. The average threshold of ABR wave III in Group C showed no significant change after local injection of PBS into the inner ear.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com