For other critics of comparable stature, such as Charles Sainte-Beuve in France, Benedetto Croce in Italy, and George Saintsbury in England, historical learning only threw into relief the expressive uniqueness of each artistic temperament.
Other, deeper similarities are apparent only to those who have spent significant time with each man: temperaments prone to irritation; political skills that play better in small groups than on television; rock-solid confidence in their own decisions.
In equal temperament, each semitone is measured at 100 cents (1 cent = 1/1200 octave); measuring by frequency (vibrational cycles per second), each semitone step increases in frequency by a factor of the 12th root of 2, or about 1.059 hertz (cycles per second).
Since the general election began earlier this summer, Clinton and Trump have lobbed attacks questioning each other's temperament.
Each character's distinct temperament emerges over the course of their collective jaunt toward the Mediterranean: Hossein is a sort of bohemian, cultured and ironic — and married.
Van Zeveren draws with humor and flair, leaving lots of white space and skillfully conveying shades of temperament in each of his animal's facial and bodily expressions.
Although each was different in temperament and inclination, the three Carraccis cooperated in a number of early works, especially fresco cycles.
(This is the first time Nine Inch Nails has been on the road since 2009, and it's called the "Tension" tour: it plays opposites of sound and temperament against each other).
"He has a way with the actors — he doesn't intrude, he doesn't distract, he doesn't confuse them with different interpretations — and he understands all kinds of actors, and that each has a different temperament and way of working").
"It's much simpler to be an opposition party than a governing party," says César Nava, the PAN's president.In this section Ethanol's mid-life crisis The new old guard ReprintsThe biggest difficulty has been managing relations between party and government, which, Mr Nava says, each have "their own temperament and their own ends".
Listen to the agonized dissonances in the recitative preceding "Voi, che udite il mio lamento" (from "Agrippina") or the biting strings and grotesquely snarling organ in an extended sequence from "Orlando," and you comprehend precisely the emotional temperament of each scene before a word is sung.
