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Exact(15)
Each of the work's five sections (set to music by Antony, Lou Reed and Nico Muhly) is rewarding.
Despite the work's complexity of perspective, Konwitschny made each of the work's two parts emotionally immediate and dramatically compelling.
During each of the work's two parts, "Sea of Tranquility" and "Bay of Seething," projections of moonscapes and nature transform the stage into a living, breathing organism.
Each of the work's three sections was written in a different location and reflects the composer's state of mind and circumstances at the time.
Each of the work's nine scenes is a jewel of discreetly staggered revelations, in which it becomes apparent that everyone has lied to everyone else.
Each of the work's five movements expands on the set of short figures set forth in the introduction, with the horn solo first presented as a gentle overlay, scarcely more than another strand of counterpoint.
Similar(44)
"Each of the works are in dialogue, and they help each other".
Each of the works at City Center reveals a different facet of 20th-century ballet choreography.
That is because each of the works seeks to unsettle, even undermine perception.
Each of the works here has its own look, intensity and revelation.
It is a nice fit; each of the works has ample room to breath.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com