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Each genre has its own tropes.
While each genre has its particular opportunities and demands, all can utilize such devices as narrative, dialogue, imagery, and description (scenes, objects, and thought processes).
(Do you really think we'll ever elect another president who looks like Ronald Reagan in the post-Obama age?) When we think about the 60s, 70s, 80s and 90s, each genre has a distinctive sound and feel.
Horror, romance, drama, sci-fi, comedy, etc. Remember that each genre has its own unique challenges.
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Each television genre has its primal scene.
Page demonstrates with vivid examples and illustrations how each era's destruction genre has reflected the city's economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans' perceptions of New York and of cities in general.
Yet, let's be honest with each other, here: the "bromance" genre has always been defined, not only by sexism (the men seem to love each other primarily because they aren't women: women, in these movies, are awful), but by homophobia.
The genre has thrived in recent years.
That genre has been so successful.
The genre has a long ancestry.
Meanwhile, the genre has been hanging tough.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com