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Each component is heavily salted.
Each component is like its neighbors, yet each is subtly individual in surface texture and tonality.
Each component is separated by a component separator, generally '/'.
Each component is dependent on the other.
Ensuring the integrity of each component is near impossible.
Both with a text and in the literary portraiture department he is matchless.
The writing about music in these sections is matchless.
But Christie's thinks that it's particularly special, and not just because the stone itself is matchless.
By using field recorded sounds of coffee machines, shopping bags, and cactuses, their sound is matchless.
The mass of each component was recorded.
He was matchless.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com