Sentence examples for dynamics characters from inspiring English sources

The theory in this paper shows a new method to analyze the gear dynamics in respect of the changing backlash and as well as builds an indirect relationship between gear dynamic performance and tooth surface characters, which can be utilized to improve gear dynamics characters through guiding gear surface design and manufacture in the future.

Maps and meteorological information analysis allowed to reveal the interannual dynamics character of mobile Fe.

The exhibit showcases personal photographs from inside the director's private space, where he spends his time dreaming up story dynamics, character development, and enthralling visuals of his films.

If you're not down for 134 minutes of psychedelic race car-themed CGI with a plot and some family dynamics character development mashed in, then you're not high enough yet.

It may take the same level of skill on the interaction designer's part to get the dynamics and character of an interface right as it is for an animator to do the same with a cartoon character.

This is what saves this novel from being just a childish joke: her ability to mesh the japes with a careful grounding in the dynamics of character and relationship.

In this first act, look and sound stun eye and ear, but the tempo of Graham Eatough's direction is patterned by technology rather than the dynamics of character interactions; scenes drag.

He delved into these virtuosic works with panache, playing with both wistful introspection and thunderous power, and using vibrant contrasts in dynamics and character to highlight the dramatic changes of mood in each piece, as in the first part of the Ballade in F, whose genteel opening is followed by passages of crashing pandemonium.

So, apomorophy and plesiomorphy are relative terms; they describe the dynamics of character change of homologous features over the phylogeny.

A number of simple animation techniques can be used to explore and illustrate the dynamics and character of a potential interface, transaction, or experience.

The problem with that gambit is that even good writers tend to repeat themselves, and over time, their favorite go-to dynamics and character moves become stale (see "Downton Abbey" for an endless array of examples of this problem).