Sentence examples for dynamic virtuoso from inspiring English sources

The violinist Christian Tetzlaff does not cut the figure of a dynamic virtuoso.

That same instinct had also helped make for a satisfying interpretation of Beethoven's Emperor Concerto, in which pianist Paul Lewis contrasted the dynamic, virtuoso passages with a more intimate, chamber-music-like quality with great sensitivity.

Cesare Prandelli's lineup for his team's opening game against Spain will most likely consist of six Bianconeri players, one of which is likely to be the dynamic, attacking virtuoso Claudio Marchisio.

MMARTISTS IN CONCERT The cellist Edward Arron's assemblage of dynamic young virtuosos (including the violinist Colin Jacobsen and the violists Nicholas Cords and Max Mandel) has a knack for balancing traditional and contemporary fare.

Will Crutchfield conducted the Orchestra of St . Lukes and Ms. Meade's dynandc colleagues, who included the virtuoso Ms.zo-soprano Vivica Genaux as Arsace and Lawrence Brownlee, a rising bel canto star, as Idreno.

Who: Softly spoken and painfully shy, Calvi is the guitar virtuoso who transforms into a dynamic, dramatic frontwoman; her theatrical, neo-operatic vocal style is comparable to Jeff Buckley, Martha Wainwright or PJ Harvey, the latter of which is the only artist ever to win the Mercury prize twice, which could work in Calvi's favour.

Leonskaja conveyed the work's enormous dynamic range and extreme gestures, calling on a virtuoso technique to summon them up.

This splendid, virtuoso piano concerto's first movement, Dynamic Mode, is probably the most dissonant piece Foulds was to write, while its second movement, Dynamic Timbre, contains a wonderfully romantic tune that could have been composed by a hybrid Ravel and Rachmaninov.

At 39, he's established himself as the most dynamic culinary personality in the nation's capital, a virtuoso whose seven restaurants there alternately focus on Turkey and the Middle East (Zaytinya), Mexico (Oyamel), Spain (Jaleo) and some supra-ethnic future (Minibar).

Richard inevitably dominates the play, but in this beautifully disciplined and dynamic production he was also just one member of a virtuoso company presenting superbly individualized characters.

But in the virtuoso tennis sequence starting at 2.10, a more human dynamic enters the choreography, as Doone's dancing imagination is given room to play, and as he adds his own pirouettes and footwork, and even some sweeping épaulement (twists in the shoulder and upper torso) to embellish the phrasing of the graphics.