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What used to be a vibrant if fractious political debate, nourished, tolerated, and often exploited by the leadership, has turned into a dull and dismal discourse, steered by political directives, and driven by fear of suppression and the loss of position inside an ever-swelling bureaucracy.
However, the discourse was so dull, containing as far as I could tell the precise same talking points that have become rote through diminishing repetition, that I fell back asleep.
It is simply an observation that much that dulls the passion in our discourse starts with our tendency to shy from the existential.
Reading Jockey Slut in 2015 is a painful reminder of just how dull things have gotten in dance discourse.
What could have been a discourse on class, feminism, bioethics, was instead a dull, self-indulgent, one-sided confessional from the one with the name and the income.
It is a suffocatingly dull exercise in coattail riding, and its become the dominant mode of discourse for a certain kind of dance fan here in the UK.
Unfortunately, the furious discourse of know-it-all, liquored-up collegians, so intensely interesting and profound to those participating, is pretty dull when it is exposed to outsiders.
Dull, dull and duller.
38 min: Dull, dull, dull.
Some folk discourse.
Less discourse.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com