I've watched a taiko-drum production of Pericles in the Sydney Opera House.
The album was produced by Vogg; while mixing and drums production was done by Swedish producer Daniel Bergstrand, who previously worked with Behemoth and Meshuggah among others.
The album's sound was in response to dance music at that time, that Chater felt was "about big drums, big production: think of a record like the Chemical Brothers "Block Rockin' Beats", with those amazing drums, and how huge those records sounded".
As ever, Ms. Stern enlists the drumming and production prowess of Zach Hill, shredding her way to enlightenment.
Built around plaintive piano and those big crashing drums, the production is sparse, allowing lyrics such as "Lonely I, I'm so alone now" to hang suspended, before the chorus crashes in like a big wave of unending emotional turmoil.
Kick ass guitar work, wicked drums, clean production and tones, sometimes oddly reminiscent of an alt-rock Led Zeppelin.
Bono – vocals The Edge – guitar, backing vocals Adam Clayton – bass guitar Larry Mullen, Jr. – drums, percussion Production – Daniel Lanois Engineering Floodod Mixing Flood and Lanois Engineeringng and mixing assistance – Shannon Strong.
Veteran garage producer Sticky's supercharged drum and bass production is matched by a fired up performance from Levy.
Finally, you'll hear a very distorted, filtered, detuned saw wave synth known in drum & bass production jargon as a "reese".
I was a drummer, but wanted to learn everything: guitar, bass, drums, keys, vocals, production… everything.
