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In other words, it was against the law to modify, repair or build tools to help circumvent the "digital rights management" (DRM) techniques used to encode DVDs and other digital media.Most DRM systems lock individual copies of digital media to a specific user or machine.
And now the Electronic Frontier Foundation, which has fought for digital civil liberties since 1990, has launched a campaign to eradicate digital rights management (DRM) called Apollo 1201, referring to the section of the US Digital Millennium Copyright Act (DMCA) that prevents users tampering with the digital locks on the things they own, such as books, music and movies.
"These DRM laws prevent us from doing that research legally," says Maira Sutton, a policy analyst at Electronic Frontier Foundation.
Rather than complaining to Apple about its use of DRM, he suggests, "those unhappy with the current situation should redirect their energies towards persuading the music companies to sell their music DRM-free".
Most DRM systems lock individual copies of digital media to a specific user or machine.
In other words, it was against the law to modify, repair or build tools to help circumvent, the "digital rights management" (DRM) techniques used to encode DVDs and other digital media.
Apple's DRM system, called FairPlay, is the most widespread.
They can still withdraw their catalogues if the DRM system is compromised.
At issue is "digital rights management" (DRM)—the technology guarding downloaded music against theft.
It is hard not to love the iPod, but it seems very easy indeed to hate the digital rights management (DRM) built into music purchased through iTunes, which sharply limits the ability to copy songs from one place to another.
In April EMI, the world's third-biggest record company, announced that it would forgo DRM.
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