The drive ate 8 41 off the clock and capped the scoring.
In Italy, they also drive, eat, bicker, pretend to be Michael Caine and spout Byron and Shelley at each other, when Alanis Morissette's "Jagged Little Pill" isn't on the car stereo.
It's great to bicycle rather than drive, eat plants instead of animals, and put solar panels on your roof, but such gestures can also offer a false sense that you're not part of the problem.
Our third great challenge is how we power our future — without dangerously polluting and warming the earth — as the global population grows from 7 billion to 9 billion people by 2050, and more and more of them want to drive, eat and live like Americans.
Did you learn how to believe or did you learn how to think?" Henriette Mantel and Steve Skrovan, who co-directed "An Unreasonable Man," a fascinating documentary portrait of Nader, take us through his exhilarating early years of civic activity, in which a man who never stopped thinking improved the way we drive, eat, shop, breathe, and take medicine.
People walk to work rather than drive, eat less meat, forego buying expensive clothes or going on vacation and understand that we have to watch what we say.
We may have taught China to drive, eat, and buy its way to ruin; China may yet show us how to save the world.
The 16-play, 79-yard drive ate up 9+ minutes of the clock and was helped by two crucial Ravens penalties.
Thus, the more we drive, eat beef, fly, or live in high-energy use buildings, the more dissonance we experience when we hear about awful global warming effects that results from our actions.
The only audience Seinfeld and guest are playing to is themselves, and because they have something to do — drive, eat, walk around — there's a social component to the interview that gives the illusion of an interaction far more casual than it really is.
Driving, eating, checking into hotels, lying alone (and sometimes not alone) at night — the recurring scenes, like the refrain of a song, give the movie formal clarity and simplicity, while, within the scenes, the editors (Mags Arnold, Paul Monaghan, and Marc Richardson) smooth what must have been ragged exchanges into unbroken streams of conversation.
