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CENTENARY STAGE COMPANY Richard Dresser's "Below the Belt," comedy.
By 1957, nearly twenty years into the campaign, thirty-one states had approved Dresser's amendment.
Mrs. Dresser's paintings, starting with still-lifes, has branched out to include landscapes.
Dresser's articles shocked many readers, and they helped to frame the case against him.
And to Mr. Dresser's credit, they end up finding unexpected answers.
Horizontal planes such as the dresser's top and drawer fronts were decorated with matching molding.
The teak room is the work of Dresser's contemporary Lockwood De Forest.
A posted look book, the video and a downloadable PDF demonstrate the cunning variations, serving as a dresser's manual.
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And all of this depends on nobody ever seeing through the cross-dresser's subterfuge, even though it is crashingly obvious to the audience.
That these contents are generally exotic does not preclude their coming to resemble, after, say, the eighth time, a hardware catalogue or a set-dresser's checklist.
"This seems to me to be the heart of the cross-dresser's dilemma, and now the heart of mine in writing about them," Bloom comments.
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