The phrase "drawn into something" is correct and usable in written English.
It means being involved in or participating in something, often against one's will or better judgment. Example: "She didn't mean to get involved, but she was drawn into the argument between her two friends." Another example: "The company's financial troubles were caused by their CEO being drawn into risky investments."
"They have to be drawn into something new," he said.
"The time when I chose not to stop and help a stranger who clearly needed it, justifying my decision with the fact that I was already running late and did not want to take the chance that I would be drawn into something time consuming and filled with drama.
Despite Bronson's impassive demeanor, he finds his solitude being compromised, as he is drawn into something resembling friendship with a prostitute (Ireland, making her required appearance); a rumpled, gentlemanly drug addict (Strother Martin); and, finally and unspokenly, Coburn, his opposite and brother.
It's about having a choice to be drawn into something compelling, and it doesn't exceed your capabilities or leave you feeling confused and frustrated that you don't know how to do it," she says.
When the scratchy analog-recorded voice of Paul Harvey (1918-2009), the legendary radio announcer, said, "And on the eighth day... God created a farmer," many found themselves momentarily drawn into something entirely unique to this world event.
What other reviewers think Kirkus: "Huneven creates a detailed, moving portrait of two people who initially think they can have a no-strings affair but are drawn into something much more serious and damaging.... Sensitive, reflective and uncomfortably true to life".
But they are drawn into it by something that goes beyond anything that the former Princeton University, and U.S. men's team coach might ever have envisioned.
The second syllable of "online," for example, gets drawn out into something that sounds like "on-laaaaaah-ne". Most days — clad in his red beret and a scarf of some kind — he walks a mile or so to the grocery.
Paint something, draw something, color something.
I'm drawn into a relationship with something unique (the hardworking but unprolific Puryear almost never repeats himself, as if relaunching his career with each piece) which is both rawly physical and somehow fanciful.
The underlying motif is that aesthetic consciousness is far from self-contained but is rather drawn into the play of something much larger than what is evident to subjective consciousness.
