Sentence examples for drawing from theory from inspiring English sources

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Drawing from theory on met expectations, person environment fit, and social information processing, misfit between the pressure and autonomy experienced by workers and that which would be expected given their occupational roles was examined as a predictor of job satisfaction, perceived support, and depression.

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Drawing from theories in cognitive neuroscience, we then explore models elucidating the neural mechanisms involved in grounding intangible concepts, including Hebbian learning, predictive coding, and neuronal recycling.

Drawing from theories on the discursive construction of identity and agency, and focusing on members׳ methods of categorization and ventriloquism, we offer an understanding of class as enacted and engaged in - not just represented and talked about, but performed dialogically.

To ensure this, we used a design and development model that drew from theory and research in each phase.

The author argues that while TAM is a useful model for predicting user's intention to adopt a new technology, incorporating the perceived behavioral control, drawn from Theory of Planned Behavior (see [58] for more details), provides a better explanation for the user intention to adopt new applications and services such as m- commerce.

Lewicki drew from theory and research in the communication sciences, rhetoric, crisis communication and social and clinical psychology to come up with the six essential elements of an apology.

Much of our knowledge of pathogen evolution in agricultural ecosystems is drawn from theory or through historical inference from population surveys [ 33- 35].

Our analysis is framed by the concepts of sensemaking and discretionary power, drawn from theory on complex adaptive systems and policy implementation, respectively.

Audi and Murphy's suggestion is that the term should be used as a complement to other, more specific, moral terms drawn from theories like utilitarianism and Kantianism.

For these reasons, this article aims to relate concepts drawn from theories of human factors, hedonomics, communication and emotional design, to demonstrate then that fashion clothing is a dynamic and interactive space that mediates the relationship with the environment.

The analysis takes the "scientific and technical human capital" approach, which draws from theories of social capital and human capital and proves useful for framing the institutional and resource-based perspectives that characterize much of the literature on university industry interactions.

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