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The Biennale, directed this year by the Chilean architect Alejandro Aravena, remains among the most anticipated gatherings in the profession, drawing architects, curators and critics from around the world.
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They first drew architects and other creative people, then arts professionals and Web designers, and, finally, wealthier types.
The reconstruction of the basilica, which was badly damaged in an earthquake that also killed 11 people, cost more than $39 million and drew architects, engineers and volunteers from all over the world.
Over the next two decades aestheticism burgeoned, drawing in architects and craftworkers, poets, critics and philosophers to create a movement dedicated to pure beauty.
Its Elemental draws from architect Rem Koolhaas' 2014 Venice Architectural Biennale work, The Elements of Architecture, where the architect laid out the fundamental building blocks of, well, building.
A rather over-styled barn of a boozer (the detail includes everything from sunny Iberian floor tiles to architects' drawing boards), but one where the beer is solid.
They got him to train 80 more workers, who built the complex at high speed, with the architects drawing it by night and spending the day on site.
He is also author of "Drawing from Practice: Architects and the Meaning of Freehand" (Routledge: 2015).
He is also the author of "Drawing from Practice: Architects and the Meaning of Freehand," from Routledge Press.
He's the author of "Drawing from Practice: Architects and the Meaning of Freehand," published by Routledge Press.
He is the author of "Drawing from Practice: Architects and the Meaning of Freehand," from Routledge Press (2015).
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com