Sentence examples for dramatic degree of from inspiring English sources

The authors predict that physicians and patients will come to appreciate the dramatic degree of improvement that can be achieved by restoring volume in the temporal hollow and that this practice will come to be incorporated as a mainstay of overall facial rejuvenation.

Although it is not possible to distinguish the contribution of transcriptional regulation of Telokin vs direct miR-1 targeting of the Telokin 3′ UTR, the dramatic degree of Telokin protein upregulation compared to the more moderate Telokin mRNA increase is consistent with some degree of translational control by miR-1.

We have added a sentence to the Discussion stating: "Although it is not possible to distinguish the contribution of transcriptional regulation of Telokin vs direct miR-1 targeting of the Telokin 3' UTR, the dramatic degree of Telokin protein upregulation compared to the more moderate Telokin mRNA increase is consistent with some degree of translational control by miR-1".

Boeri has simply multiplied the amount of foliage to a dramatic degree, envisioning residential buildings that resemble tall boxy trees.

More dramatic damage degree of DNA film initiated by dopamine/Fe2 SO4 3 reaction in [bmim][PF6] compared with that in an aqueous solution indicated that ionic liquid was much more suitable for the investigation of radicals induced DNA damage.

This dramatic high degree of within-population variance was found in all populations.

The 64 node networks exhibited comparable results to those reported above, not withstanding the dramatic difference in degree of the 64 node caveman network relative to the other networks.

Although not all cells exhibit such dramatic heterochromatinization, some degree of heterochromatinization appears to be a general feature of senescence in various cell types from several species (Braig et al., 2005; Denoyelle et al., 2006; Herbig et al., 2006).

Despite History's mantle of preserving and purveying an accurate picture of the past, hewing to the letter of historical accuracy wasn't possible in the case of a dramatic series based on fragmented documentation, hence a large degree of dramatic license was employed.

Aeschylus tended to resolve the dramatic problem into some degree of harmony, as scattered evidence suggests he did in the last two parts of the Promethiad and as he certainly did in the conclusion of the Oresteia.

The works are constructed in shorter sections, which frequently follow each other without a break, and the spacious conception of the scenes is partly sacrificed in order to achieve a greater degree of dramatic and psychological flexibility.