Sentence examples for double projections from inspiring English sources

Exact(6)

Simultaneous tracing showed a significantly lower percentage of motor neurons with double projections after 2- and 4-channel compared with 1-channel conduit repair.

This doubling-with-a-difference runs throughout Warhol: both in his life, where he was mirrored, weirdly, by Edie, Nico and others; and in his art, where the silkscreens are often instances of image repetition run amok, and the films are often double projections in which the 'action' in one screen has little or nothing to do with that in the other.

After four months, quantitative results of regeneration were evaluated with nerve morphometry and the accuracy of regeneration was assessed using retrograde tracing: two tracers being applied simultaneously to tibial and peroneal nerves to determine the percentage of motor neurons with double projections.

With "Pause!" (1977) he collaborated with Mr. Rainer to create a vibrant deconstruction of breathing and gesture, while his latest work, "Monument Film," exhibited in last year's New York Film Festival, involved both double projections and an installation of entire filmstrips tacked to the walls.

That's nearly double projections.

Recent studies using microfluidics devices showed that the shape of the projection(s) ranged from wide projections (lower concentrations, e.g. 10 to 40 nM) to thin projections (higher concentrations, e.g. 100 to 1000 nM) depending on pheromone levels, and that double projections at 6 hours were observed at higher α-factor levels but not at lower concentrations [29].

Similar(54)

To go back to the wavelet subspace, we perform a double projection: firstly, we project in the secret subspace and secondly, we project this result in the wavelet subspace to produce the watermark signal in the wavelet domain.

A double projection method, easily scalable, that facilitates the concentration of the anatase on the surface, is developed.

"Gag," a work from 1996, is a double projection in which each of two faces shown has a piece of colored fabric over its mouth.

Further, it employs a generalized double projection method for non-solenoidal velocity fields that results in second-order elliptic equations for the phasial pressures.

This was an excerpt from Geraldine Farrar's film Joan the Woman (1916) that Samuel Roxy Rothapfel inserted as a special effect into the film when it arrived in America through a process of double projection, according to Motography in 1917 (665-666).

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