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Does your character have any broader role in the narrative?
I'm basically directing the scene: "I want this, what does your character want?
"You can have a moral judgment," Thompson says, "but you have to ask, 'Does your character judge himself?' If he doesn't, you can't, otherwise you play what your judgments are".
"You can have a moral judgment," he says, "but you have to ask, 'Does your character judge himself?' If he doesn't, you can't, otherwise you play what your judgments are".
What does your character want to achieve, or get, during the course of your screenplay?" Here's Ernest Hemingway on the subject, in a 1934 letter to F. Scott Fitzgerald: If you take real people and write about them you cannot give them other parents than they have (they are made by their parents and what happens to them) you cannot make them do anything they would not do.
Does your character beat up J.Lo's character?
Similar(16)
How did your character come about?
Man up when you do, your character depends upon it.
How did your character evolve from when Russell started writing the script to where he ended up?
Did your character change his name at any point in his/her life?
Do your character's footsteps on stone, wood flooring, dirt, and grass sound realistic?
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com