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The New Yorker, February 6 , 1960P. 46 PROFILE of Sir Henry Maximilian Beerbohm speaks of an incomplete masterpiece in Sir Max's possession, an unfinished portrait of Goethe by a painter named Wilhelm Tischbein, who was Goethe's cicerone when the latter made his famous and highly documented tour of Italy.
By S. N. Behrman The New Yorker, February 6 , 1960P. 46 PROFILE of Sir Henry Maximilian Beerbohm speaks of an incomplete masterpiece in Sir Max's possession, an unfinished portrait of Goethe by a painter named Wilhelm Tischbein, who was Goethe's cicerone when the latter made his famous and highly documented tour of Italy.
PROFILE of Sir Henry Maximilian Beerbohm speaks of an incomplete masterpiece in Sir Max's possession, an unfinished portrait of Goethe by a painter named Wilhelm Tischbein, who was Goethe's cicerone when the latter made his famous and highly documented tour of Italy.
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