Sentence examples for documentary mode from inspiring English sources

The film is often called an early example of the documentary mode known as cinéma vérité.

Though the documentary mode prevails, many images are more than just simple documentation.

The documentary mode incorporates those films relying primarily on cinema's power to relay events in the world.

The large "Picturing Movement" show traces his progress from what the organizers call "the documentary mode of the early 1870s to the sensuous expressiveness of his later years".

It is stylishly made and seems to be satirizing the documentary mode itself, as parts of the voice-over are sung to a reggae beat.

Using the documentary mode, Dorothy Livesay condemned the exploitation of workers in Day and Night (1944), while her lyric poems spoke frankly of sexual love (Signpost, 1932).

The writing of the interwar period had great breadth and diversity, from Modernist experimentation to new documentary modes of realism and from art as propaganda (particularly in the theatre) to conventional fiction, drama, and poetry produced for the popular market.

In "Close-Up" (1990), Kiarostami, in semi-documentary mode, re-creates the true story of an unemployed dreamer — an ardent cinephile — who passes himself off as the director Mohsen Makhmalbaf, a fraudulent act that becomes both an homage and a fresh work of art.

In "Close-Up" (1990), Kiarostami, in semi-documentary mode, re-creates the true story of an unemployed dreamer an ardent cinephile who passes himself off as the director Mohsen Makhmalbaf, a fraudulent act that becomes both an homage and a fresh work of art.

And it's hard to know what to make of the inclusion of D. A. Pennebaker, Chris Hegedus and David Dawkins's road-movie concert documentary "Depeche Mode 101" (1989), whose title band purveys a kind of oddly cheerful, bubble-gummy New Wave.

Such a method allows analysts to examine the interplay between sound and image and enriches our understanding of the screen documentary, a mode in which content often eclipses the crucial operations of form.