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Take the Ramones, the seminal punk rock band whose history is traced in exhaustive detail in Michael Gramaglia and Jim Fields's absorbing documentary, "End of the Century: The Story of the Ramones".
"Tales of Grabowski" belongs to the documentary end of Holocaust fiction's spectrum, shadowing John Auerbach's own experience of escaping the Warsaw ghetto, then surviving the war by impersonating a Polish gentile and working in the German shipyards.
Make sure to keep a bloodshot eye peeled for the DVD release of the documentary "End of the Century: The Story of the Ramones," a string of box sets and a coming musical called "Gabba Gabba Hey!" And if that's not enough, there's even a Joey Ramone action figure -- sniffable glue not included.
Remember in that Ramones documentary End of the Century when they interview Johnny about Joey's death and he acts desensitized?
Each year when I listen to Nick Fraser, I am reminded of the humanity and even heart that the documentary end of filmmaking must continue to encourage.
Johnny did not call Joey before the latter's death in 2001, but said in the documentary End of the Century that he was depressed for "the whole week" after the singer died.
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But the documentary ends with the real action: the original YouTube video.
The documentary ends with a call to action, particularly local action, and encourages viewers to get involved in their towns, schools, workplaces, and communities.
The documentary ends in wry voice-over: he pronounces his film "pathetic," a "report on an inevitable catastrophe that did not take place".
Eschewing talking head interviews, Peck's documentary ends up as Baldwin's presumptive autobiography, but it gets there via an unexpected route.
When the documentary ended, we were up four firm burrs to nothing, and I already had a look of sheer ecstasy on my face, more suitable to a viewing of a film by Tati than Resnais.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com