Sentence examples for documentaries both from inspiring English sources
One of the National Film and Television school's most talented alumni of recent years, since graduating in 2000, Amponsah has made two full-length documentaries, both exploring aspects of African culture.
http://static.guim.co.uk/sys-images/Guardian/Archive/Search/2011/5/17/1305642657434/X-Men-First-Class-007.jpg Two wildly contrasting documentaries both crashed the top 10 in impressive fashion.
There are also two supplementary disks filled with related documentaries, both old (a 1992 profile of Mr. Pontecorvo, narrated by Edward Said) and new (a discussion between the former national counterterrorism coordinator Richard A. Clarke and Michael A. Sheehan, a former State Department counterterrorism official, that examines the film's clear contemporary relevance).
Mr. Trout was not limited to politics or news in the 1950's, and during one period served as host of a celebrity quiz show for CBS called "Who Said That?" In the 1960's Mr. Trout narrated several documentaries, both for CBS and for WCBS-TV, the CBS outlet in New York.
Two of the most significant documentaries, both made by NHNZ, are Kakapo – Night Parrot (1982) and To Save the kakapo (1997).
Now, the nearly unbelievable story of a huckster who hawked his way into the pockets of the rich and not-so-rich is being told in not one but two competing documentaries, both of which have captured the attention of the internet, bringing the grotesque carnival of horrors that was Fyre back into public conversation.
To promote its gear, Knights is preparing a video to be shown at bookstores and a Web documentary, both highlighting the improvements in workers' lives.
In the documentary, both David Crosby and Nash recall not being able to use the piano because Mitchell monopolised it, sometimes writing three fully formed songs in the course of a morning.
Television was becoming such an incredibly powerful and profitable medium by the late nineteen-fifties that the price of such a documentary, both in the time it absorbed and in the audience it might alienate, seemed to Paley and the rest untenable.
Although Mark Boal, the screenwriter, told Dexter Filkins that it is not a documentary, both he and Kathryn Bigelow have talked about how the idea of the torture scenes is to present harsh realities — to "make the point that waterboarding and other harsh tactics were part of the C.I.A. program," as Boal told Filkins, and then make a movie that "doesn't judge," as Bigelow told him.
While an understanding of modern horse breeds and equestrianism is vital for any analysis of the medieval horse, researchers also need to consider documentary (both written and pictorial) and archaeological evidence.
