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The Upanishadic doctrine of the unity of selves is interpreted by him to mean an absence of difference of kind among selves, which is consistent with the Samkhya.
The doctrine of the unity of God and the issues that it raises, such as the question of the relation between the essence and the attributes of God, reappear throughout most of Islāmic history.
This is true especially of his central doctrine of the "unity of being" and his sharp distinction between the absolute One, which is undefinable Truth (ḥaqq), and his self-manifestation (ẓuhūr), or creation (khalq), which is ever new (jadīd) and in perpetual movement, a movement that unites the whole of creation in a process of constant renewal.
Waliullāh made an attempt to reconcile Ibn-'Arabī's doctrine of "The Unity of Being" (waḥdat al-wūjūd) and Sirhindī's doctrine of "The Unity of Consciousness" (waḥdat al-shuhūd).
However, Stoicism provides the missing moral psychology with its doctrine of the unity of the soul.
Wang is perhaps best known for his doctrine of the "unity of knowing and acting".
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Deriving from Italy, this doctrine of the unities demanded that there be unity of time (strictly, the play's events were to be limited to "the period between sunrise and sunset"), of place (the entire action was to take place in the one locus), and of action (subplots and the dramatic treatment of more than one situation were to be avoided).
The doctrine of the unities of action, place, and time though actually a later development resulting from forced interpretations of Aristotle ruled over the work of many writers of tragedies (e.g., Gian Giorgio Trissino in Italy, Jean Racine and Pierre Corneille in France, and, to a certain extent, Johann Wolfgang von Goethe in Germany).
These dialogues of definition indirectly raise questions about the mutual relations of the virtues, and this question is taken up explicitly in the Protagoras, which introduces the doctrines of the unity of virtue and the impossibility of acrasia (the doctrine that it is impossible to know what is right and still do wrong).
For one, he vigorously defends Shakespeare against charges of failing to adhere to the Neoclassical doctrine of the dramatic unities of time, place, and action.
They are almost always shown together to emphasise the doctrine of the four Gospels' unity of message.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com