These show Blackstone's attempts to reduce English law to a logical system, with the division of subjects later being the basis for his Commentaries.
Sensitivities were calculated by division of subjects with true positive test results by all the subjects with pheochromocytoma, and specificities were calculated by division of subjects with true negative test results divided by all subjects without pheochromocytoma.
The classification schema can be summarised as a division of subjects into three classes based on pretreatment AMH: low AMH subjects are classified as likely to develop amenorrhoea, and high AMH subjects are classified as likely to have ongoing menses.
Division of subjects into a NAFLD group (n = 734545 males and 28 females) or a normal group (n = 86; 50 males and 36 females) was based on the presence of fatty liver disease determined by sonography.
Because of the increased predictive value from using multiple biomarkers, future research on risk grouping and identifying more promising treatment targets may be based on conditional multivariate methods, such as recursive partitioning analysis, to determine the optimal thresholds of prediction, which will allow for the division of subjects at risk into more homogenous groups.
It is we ourselves as dancer and the dance, beyond the ego-world's divisions of subject, object, and interaction.
The rhetoricians offered rules for composition: how to elaborate a speech with ornamentation and, more important, how to organize a work through the dialectical skills of definition and division of the subject matter into analytical categories.
He introduced the useful division of the subject into Speculative Cosmology, which deals with the basic elements making up the world we live in, such as matter, mind, and force, together with the relations between them, and Analytic Ontology, which explores the fundamental categories, such as Substance and Property, and how they relate to one another.
Many rhetoricians have artfully and effectively misled their audiences, and Socrates argues somewhat implausibly perhaps that in order to mislead one cannot oneself be misled.[29] An artful speech exhibits its artfulness in its structure, one that—since in the best case it embodies the truth retraces or mirrors the natural divisions of the subject matter itself.
