"divine representation" is a grammatically correct phrase and can be used in written English.
It refers to something or someone that embodies or depicts the divine. Example: The painting was considered a divine representation of the goddess Athena, capturing her grace and strength in every brushstroke.
Most of the remainder was made for placing in temples votive for private persons and ritual for royal and divine representations.
The Iconoclasm of Leo III (717 741) and his successors banished such divine representations in favour either of the cross on steps or of imperial figures on the reverses, but with Michael III (842 867) the bust of Christ returned.
I became my own saviour as I looked into the divine mirror of representation and realised I wasn't unloveable and monstrous – I was ultimately and supremely myself.
Peter De Cupere, our favorite olfactory artist, has created a new work exploring the space between divine and embodied representations of women.
And yet, in the course of the first act dialogue, the camera turns slowly from the chorus and pans over the surrounding, rather ordinary countryside, until it settles on a view of a distant mountain capped by clouds, an image that functions both as a foreshadowing of Moses' journey and a metaphorical representation of divine force.
As Sherwood scholar M. Nancy Cutt argues, "the great overriding metaphor of all [Sherwood's] work is the representation of divine order by the harmonious family relationship (inevitably set in its own pastoral Eden).
As Cutt argues, "the great overriding metaphor of all [Sherwood's] work is the representation of divine order by the harmonious family relationship (inevitably set in its own pastoral Eden).
Until the early centuries of the 2nd millennium bce the cylinder seal remains one of the most prolific sources of religious motifs and representations of divine figures, but larger reliefs, wall paintings, and sculpture in the round greatly add to modern historians' understanding of who and what is rendered.
In the hands of Ansai and other Japanese Neo-Confucianists, the events of the "Divine Age" became metaphorical representations of the transformation of ri into the physical existence, the workings of the productive principles of yin and yang, and so on (Ooms, chapter 6).
