Sentence examples for distorted frames from inspiring English sources

"distorted frames" is a correct and usable phrase in written English
It refers to distorted or skewed perceptions or perspectives. Example: The media often portrays women in distorted frames, perpetuating harmful stereotypes and unrealistic beauty standards.

Exact(2)

As the phrase suggests, this latter glitch consisted of the picture refusing to stay centred in the screen; instead it would spool upwards in a succession of distorted frames, the whole reminiscent of a warped strip of celluloid film.

We have proposed a DBM using decoded or distorted frames instead of original frames.

Similar(58)

On the Passeig de Gràcia we passed the Gaudí-designed Casa Batlló, an apartment block turned museum, fronted by a shimmering dragon-skin mosaic of purple and green tiles, bendy buttercup windows and an uneven, distorted frame.

Cooper, a fine actor, also makes you believe in the romantic sensibility that existed inside Merrick's distorted frame … Much as I admire Cooper's performance, I still find Pomerance's play – as I did on its Hampstead theatre premiere in London in 1977 – thin and tendentious.

Instead of a get-tough program for anti-doping, Selig is reading even his own rather distorted framing of the rules incorrectly, and using it to help players on suspension shave off games, or stay in-tune, despite the fact that every rule of the game, every thread of the CBA, and even the section of the Joint Drug Agreement that he misuses all say that he can't do it.

For example, in original or un-distorted frames (i.e., 1 to 100 frames), O 36, 44) indicates a pixel position at row 36 and column 44 and the pixel intensities are 104 at Frame 1, 102 at Frame 23, and 115 at Frame 90.

Section "GMM-based DBM" describes the existing DBM and their limitations for processing using distorted video frames.

In order to facilitate the analysis, symbol v is defined as the crowd service priority of the distorted video frame, which maybe 0, 1, or 2. Here, value 0 represents the high priority crowd service under fast moving.

Second, we estimated the alignment between the (distorted) reference EPI frame (see Preprocessing section) and the undistorted, partial FOV, high-resolution T2*-weighted volume.

In (9), and, respectively, denote the th frame's distorted part of the channel gain estimates due to the HPA saturation and quantization at the th subcarrier.

Changing how an object is experienced runs parallel to the work of MA Photography student Ben Lansky, who here reimagines the traditional image through nontraditional framing and distorted composition.

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